A Season of Focused Creation

The months of September and October marked an intense period of artistic production, reflection, and community engagement. Having spent much of the summer balancing field visits, community events, and parenting responsibilities, I shifted my focus to the studio, dedicating between 40 to 80 hours per week to channeling the energy and inspiration from my travels into tangible works of art.

Immersion in the Studio

This immersive period of painting allowed me to bring the vivid landscapes, emotional resonance, and historical narratives from my field visits to life on panel or canvas. The studio became a sacred space where creativity flourished. As pieces neared completion and/or were finished with resin, I shared images on social media to connect with my community and followers. This digital engagement not only documented my progress but also invited feedback and support, reinforcing the collaborative spirit of this artistic journey.

Collaborative Exhibition with Mary Harvey

Another highlight of this period was participating in a two-artist show on October 5th alongside fellow Ucluelet artist, Mary Harvey. Mary’s works—known for their calm, serene, and often humorous depictions of local subjects such as fishing boats, wildlife, and sea life—have long resonated with me. It was a true honour to exhibit alongside her, and the enthusiastic turnout from the Ucluelet community made the event an incredible success. The shared celebration of art highlighted the deep connection between the local community and its creative voices.

Continued Artistic Commitments

While the show provided recognition, my work for The Missing Link continues. There are still a number of important pieces to create and critical locations, including a couple of key islands, that I plan to visit next month to complete this project. These additional steps are essential to capturing the full breadth of the narrative and artistic vision I have set out to achieve.

Trip to Vancouver and the Lower Mainland

Before diving back into production, I made a significant trip to Vancouver and the Lower Mainland to finalize my limited-edition print series. This week-long visit was dedicated to ensuring that every detail of the prints—from image quality to framing—met my exacting standards. I worked closely with my trusted printer and framer, fine-tuning every aspect to preserve the integrity and impact of the original artwork.

This period has been one of intense focus, creative output, and meaningful connections with both art and community. As I continue to work on the remaining pieces and complete the fieldwork essential to The Missing Link, I am reminded of the importance of balancing artistic rigor with collaborative celebration. Together, these efforts bring my vision closer to fruition, honouring the landscapes, stories, and histories that inspire my work.